My art-making process starts with adding, combining and complicating collected historical narratives. Then, by disfiguring and confusing them, I abstract them into something new embodied with an eloquent sense of absurdity. I embrace the misinterpreting, and use the glass to physically expose, distract and distort. Each piece highlights a sense of fictional perspective being played with by me, the viewer or the combination of the two. Such as, in my framed stained glass drawings; I am using the colored glass to emphasize a fictional reality and to pay tribute to real stained glass as a craft. I comment on the intent of the detail and the need for a refined finished art product by using a gallery-ready yet economically bought frame to border the drawings and colored glass. It is important that the light does not merely illuminate my faux stained glass pieces; instead an objectifying light casted upon each piece is needed.